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The
making of the Occupation Tapestry
The Occupation
Tapestry is probably the greatest community project ever undertaken in
Jersey. Over 300 islanders worked for 30,000 hours to produce the tapestry
which is made up of 7,500,000 stitches.
The dictionary
definition of a tapestry is that it is a textile fabric in which the design
is created by stitching coloured threads across the warp.
In 1988,
when the island was wondering how to celebrate the 50th anniversary of
the Liberaton of Jersey, the newly formed Occupaton and Liberation Commitee
came up with the idea that islanders should create a tapestry to show
what life was like during the five years of the German Occupation.
In 1989,
a Tapestry Design Sub-Committee drawn from the Channel Islands Occupation
Society, Jersey Heritage Trust, Société Jersiaise and the States of Jersey
was given the task of running the project which by now had grown in concept
from one single piece to a multi-panelled tapestry.
An exhibiton
staged by the Jersey Heritage Trust in 1990 to mark the 50th anniversary
of the beginning of the Occupation had contained twelve main themes and
it was felt that these were relevant to the project. Happily, it also
meant that each of the island's parishes could have their own tapestry
panel to work on.
Wayne Audrain,
the Jersey Heritage Trust designer, took the ideas of the different themes
to create a design which worked as twelve individual pieces but when shown
together created a single work. Once checked for historical accuracy and
the colours selected, the designs were drawm up to full size and transferred
on to canvas. Although broad colour guides were given, the stitchers were
able to use their owm artistic talents on areas such as the sky and the
sea.
The parishes
drew lots to select their panel and start dates were staggered. The first
panel was started in February 1991 and the last in November 1993. Each
team of stitchers was headed by a parish co-ordinator, while the overall
quality and development of the tapestry was handled by the two island
co-ordinators and the designer. This pattern of contact was important
to ensure both the historical and artistic accuracy of the tapestry and
to help the run smoothly.
In addition
to the regular team, each parish held open days when islanders and visitors
were invited to place a stitch in the tapestry. So while the number of
stitchers were about 300, the actual number was several thousand.
The completed
tapestries were taken to the Textile Conservation Centre at Hampton Court
Palace where they were stretched and mounted to ensure a long life.
The Occcupation
Tapestry was officially unveiled by the Prince of Wales on Liberation
Day 1995 and was moved to its own building on the New North Quay in 1996.

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